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Mozart and Beethoven

Differences between Mozart and Beethoven
Differences between Mozart and Beethoven

The Differences between Mozart and Beethoven is given here. Mozart and Beethoven were two composers who became references in classical music, each distinguished by their personalities adapted to their creations. In the case of Mozart through the piano and Beethoven through his orchestral conducting.

Mozart

Joannes Chrysostomus Wolfgangus Theophilus Mozart was born on January 27, 1756, in Salzburg, in present-day Austria. His repertoire of works includes more than six hundred creations in addition to musicalization through his skills on the violin and piano.

Between 1750 and 1800, a strong period of classicism developed in Europe in which Mozart evolved musically, so his achievements were distinguished by rigidity in combination with instrumental tones that went from warm beginnings to dark or tormenting rumblings.

Beethoven

Ludwig van Beethoven was born on December 16, 1770, in Bonn, Germany. Positioning chronologically after Mozart as a representative of internationally recognized and performed orchestral music.

His repertoire includes more than thirty-two works on piano, music for masses, the musical direction of ballet presentations, opera productions, as well as orchestral direction. Creations which represented the romantic style of the time that developed between 1800 – 1850.

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Differences between Mozart and Beethoven

  • Mozart stood out on the piano and became a benchmark for classical music presented through this instrument.
  • Beethoven despite being a benchmark for piano compositions, had significant recognition for his skills in conducting.
  • Mozart began his musical compositions when he was 4 years old.
  • Beethoven wrote many of his works influenced by those already existing by Mozart to whom he gave the devotion.
  • Mozart, living in the time of classicism, naturally integrated full, rigid, and even dark tones into his compositions.
  • Beethoven transcended the music of romanticism and made it a reference for the following composers who would be in charge of integrating romantic feelings and tones in their orchestral works.

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